14
Aug
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Romeo and Juliet at Starling Shakespeare

Alumni of the Shakespeare and Performance graduate program at the American Shakespeare Center have founded or taken on the leadership of, a number of classical theater companies, drawing on the ASC’s scholarship and aesthetic, but with their own unique twist. Just off the top of my head: Flagstaff Shakespeare Festival (Arizona), Pigeon Creek Shakespeare (Michigan), […]

27
Oct

The Tempest at Synetic Theater

The first time a friend invited me to see a show at Synetic, I rolled my eyes, but went along. I’ve seen some of my favorite shows by saying yes to invitations I didn’t think I was interested in. This was no exception. The show was Romeo and Juliet, which I had just finished directing […]

7
Oct

Antony and Cleopatra at the Rose

In August, we went back to Michigan for ten days to remount Antony and Cleopatra. People often ask me what this means, so here’s the general idea: A remount is when you get the band back together to do a production again. Often, some cast members aren’t available to return, so you sub in other […]

20
Aug

10 Reasons Why

You know sometimes when some virtual stranger is wrong on the internet and you just can’t help yourself? Well, I got in a Twitter argument last winter over whether or not Antony and Cleopatra is a work of staggering genius. I kept writing, “AND ANOTHER THING.” As we’re getting Pigeon Creek Shakespeare’s Antony and Cleopatra […]

15
Aug

Book Report: Brutus and Other Heroines

My friend Jacob spotted Brutus and Other Heroines: Playing Shakespeare’s Roles for Women, by Harriet Walter, at a bookstore and snagged it for me. I hadn’t heard of it, although I have been following Walter’s recent work with much interest, particularly her trilogy of all-female productions of Shakespeare. This book is less a retrospective memoir […]