I’m post-dating this so that it will be hidden until after the meeting to decide invited productions for the Region 2 festival. I saw these shows from October 30-November 7. One cool think that the Kennedy Center American College Theater Festival does is to send professors and professional theater people out to see university shows […]
I took a whirlwind trip to west Michigan to see my friends at the Pigeon Creek Shakespeare Company perform my favorite Shakespearean comedy in one of my favorite venues—the Rose, a Globe-style theater at Blue Lake Fine Arts Camp. Being back at the Rose was just magical. That space has a lively energy, like it […]
Does anybody else feel like they’re just trying to see All The Shows before things get shut down again? My theater-going habits feel downright manic this summer. We saw The Bottom Show last week in Richmond, on the lawn at Agecroft Hall. As I write this, the last opportunity to see it is tomorrow and […]
Alumni of the Shakespeare and Performance graduate program at the American Shakespeare Center have founded or taken on the leadership of, a number of classical theater companies, drawing on the ASC’s scholarship and aesthetic, but with their own unique twist. Just off the top of my head: Flagstaff Shakespeare Festival (Arizona), Pigeon Creek Shakespeare (Michigan), […]
Time for a story about how I became the director I am. In 2002, I was interning at the American Shakespeare Center. This was before they had any kind of formal internship program, so the deal basically was that I worked with their summer camp during the day, and in the evening, I could go […]
I went to see an actual play, in person, with humans. The last play-ish thing I saw was Bread and Puppets on March 10. I don’t know if I have gone five months without seeing or doing a play since I was in middle school. Probably not. I went mostly because I was curious about […]
Paula Vogel has started a play reading series, called Bard at the Gate that is focused on highlighting works that, for whatever reason, aren’t getting programmed at major theaters, despite being excellent. This past week, the selection was Meg Miroshnik‘s The Droll. The play was originally written in 2009, but some of the lines landed […]
I feel extremely lucky that I happened to see an unusually large number of shows in the couple weeks before everything shut down. I’m slowly getting around to writing about them. Side Show, at JMU Theater, was a lovely show. I don’t love this score or this script particularly much, but I was curious about […]
I luckily saw a fair amount of theater right before everything shut down. As usual, posting my reflections late, but it’s nice to have those memories of live performances to sustain me through the current drought. Like many Gen X/Millennials, my first experience of Mummenschanz was through the delightfully weird Sesame Street of the 1980s, […]
I’ve been hearing about Molly Smith Metzler’s Cry It Out for ages. It’s the story of two dissimilar neighbors who have babies at the same time and navigate the challenges of new motherhood together, becoming unlikely friends in the process. I hadn’t been able to get to a performance, but I was curious about the […]