On my recent visit to Bridget to check out the Atlanta Shakespeare Tavern, I noticed a phrase I think of as mostly mine popping up here and there. I overheard a stage manager say, “Thank you for your work” to an actor as she emerged from the theater door after a show. The next night, […]
A couple of years ago, around the time when I was trying the phrase “magical realism Shakespeare” on for size (it fits!), playwright Bob Bartlett told me, “You should check out Constellation Theater, in DC. They are your kind of people.” When I looked at their production history on their website, I about fell over. […]
I’m not much for New Year’s resolutions. I don’t think they’re very helpful for me, or the way I think about time. But I do have areas of focus each year, especially for directing. Directing goals Each year, I think about something I don’t think I do very well as a director, and I spend […]
I’m thrilled to share that I’ll be working with the York College Theater Division this fall! I’m directing On The Verge or: The Geography of Yearning. Being invited to do a show written in my lifetime is a fun change (much as I do love Renaissance drama!), and working with a new group of collaborators […]
For someone who practically never works with a dramaturg, I sure love dramaturgy. I love learning about the text, learning all of the history and backstory and background and cultural themes that contribute to the rich tapestry of the play. I haven’t thought of myself as a dramaturg, despite pretty much every dramaturg I know […]
I came across this thing I wrote for Mother’s Day last year. I had largely forgotten about it, but on rereading it, I realized that my production of Richard III is completely based on these ideas. Most notably this quotation from “The Mother’s Day Proclamation,” by Julia Ward Howe: “Let [mothers] meet first, as women, […]
I should just start by saying, I am not a fan of The Comedy of Errors. I nearly didn’t go to see it. But I knew my kids would enjoy it–they are in a phase of being quite excited about physical comedy. We were able to get a few homeschool friends to join us for […]
Sometimes the best shows are the ones you didn’t plan to see. I was all set to check out Shit-faced Shakespeare, when I learned it happened to have a hiccup in its usual schedule and wasn’t playing after all. More or less at random, I ended up seeing Ride the Cyclone, a musical I knew […]
Dad’s Garage is a comedy theater that does a mix of scripted and improvised shows. I caught a preview performance of a new, scripted show called Ad Nauseum, written and directed by Megan Leahy. I almost didn’t go to this show because the premise sounded a bit tired and reductive: It takes place in a […]
You may remember Bridget McCarthy from my (depressingly popular–I wish this didn’t resonate with everyone) post about Juliet being played by somebody whose body type is not… sylphish? She’s developing a one-woman show, called Fat Juliet, which she says was catalyzed by our work together on her Juliet audition monologue. That story isn’t in the […]