Paula Vogel has started a play reading series, called Bard at the Gate that is focused on highlighting works that, for whatever reason, aren’t getting programmed at major theaters, despite being excellent. This past week, the selection was Meg Miroshnik‘s The Droll. The play was originally written in 2009, but some of the lines landed […]
The book itself (oh, right, this is a Book Report post!) is a fantastic tool for actors and directors. It’s more accessible than Shakespeare’s Metrical Art, but more advanced than Mastering Shakespeare. I loved how, throughout, Block connected rhetorical and rhythmic concepts to playable actions. This is not an abstract text; it’s grounded in the work of the theater.
Some folks on a Shakespeare Facebook group had questions and opinions about Shakespeare’s musical stage directions, and when I said I had done one of my masters’ theses on this topic, they wanted to know more. Apologies in advance. If you read Shakespeare’s plays, particularly the histories, you’ll quickly notice stage directions like, “Sound trumpets […]
In which I gather round the Zoom for a watch party.
I feel extremely lucky that I happened to see an unusually large number of shows in the couple weeks before everything shut down. I’m slowly getting around to writing about them. Side Show, at JMU Theater, was a lovely show. I don’t love this score or this script particularly much, but I was curious about […]
When I was at the Shakespeare Theater Association conference in January (back when one Went To Things), three different people recommended Steven Wangh’s An Acrobat of the Heart to me. When something like that—something that isn’t new and trendy—pops into my world a number of times, I pay attention. So as soon as I got […]
I luckily saw a fair amount of theater right before everything shut down. As usual, posting my reflections late, but it’s nice to have those memories of live performances to sustain me through the current drought. Like many Gen X/Millennials, my first experience of Mummenschanz was through the delightfully weird Sesame Street of the 1980s, […]
I’ve been hearing about Molly Smith Metzler’s Cry It Out for ages. It’s the story of two dissimilar neighbors who have babies at the same time and navigate the challenges of new motherhood together, becoming unlikely friends in the process. I hadn’t been able to get to a performance, but I was curious about the […]
For once, I didn’t see a show on closing night. You can still check this out! It runs through April 19. As we move into this strange human experiment in containment, all of my performing arts colleagues are struggling. Shows are, of course, being canceled. Lots of people’s day jobs, if they have them, are […]
Like many theater artists, I’m finding myself at loose ends, with a project more or less dissolving in my hands, getting less likely with each news break. Future projects are getting less certain as well. I’m trying to look on the sunny side; while I’m mourning the projects that might not happen or might be […]