29
Apr

Audience Response

I have been noodling over a mystery for the past couple of weeks, and I’m curious to hear other theater makers weigh in on it. The audience response to Richard III at Pigeon Creek Shakespeare has been incredible. People are hissing and booing at Richard when he’s messing with Queen Elizabeth. High school kids at […]

25
Apr

Be Kind

I’ve been thinking a lot about what it means to do a play about wickedness with such fundamentally kind people. Richard, after all, isn’t the only mean-spirited or ambitious person in this play. A number of people are out for revenge. At least three are willing to take a life in exchange for a few […]

23
Apr

Disembodied Directing: Final Report

The process for Richard III at Pigeon Creek was unusual because I spent the first three weeks (of a four-week process) directing via Skype. Now that the show is up and I’m done with my bit of it, I wanted to take some time to reflect on how it went, overall, and what I might […]

16
Apr

Be Terrible

I knew, going into Richard, that I would have a huge personal connection with the women in this play. “It’s a play about motherhood,” I kept telling people who raised a skeptical eyebrow when they heard the title. I didn’t expect to be so moved by Richard’s sociopathy. I’m completely the opposite of a sociopath, […]

12
Apr

We Get Around

Now that Richard III is rolling around Michigan and I’m home, I’m finding myself explaining to people more or less daily that the show goes on without me. Most people who haven’t done much theater don’t realize that a director is very different from an orchestra conductor. I set the show up and then it […]

10
Apr

Richard III: Review from Encore Michigan

Bridgette Redman, of Encore Michigan dropped a fantastic review of Richard III after seeing it at the Dog Story Theater in Grand Rapids. LANSING, Mich.–If you’ve been a faithful follower of Pigeon Creek Shakespeare Company, you now know how the War of the Roses starts and ends and are ready for the final Game of Thrones season, […]

10
Apr

The Sound of the Story

My master’s thesis (one of them…) was about using sounds to communicate information about what was happening off-stage. It’s a core component of the “theater of imagination” that we engage with in the Original Practices community. I’m always a little disappointed when I go see a show and I notice that they’ve cut or ignored […]