I’ve been reading a lot of books and articles about Antony and Cleopatra lately, getting ready for the remount. One thing that comes up over and over is people saying that the title characters are older, they’re jaded, their love is real, but tempered with a certain utilitarianism. They need each other, politically. Their love […]
In a recent alumni survey, my grad school asked, “What’s your favorite line from Shakespeare?” I was stumped. I don’t think I have one. Everyone else does, I’m sure, and I even know what many of my friends’ favs are. But I am completely at a loss. I do have a favorite line in each […]
Before I started rehearsals for Richard III, I was very nervous about the Skype plan. I talked about it with everyone I could think of, hoping someone would say, “Oh, I always rehearse that way, it’s not a big deal at all.” Nobody quite said that, but I did get a few helpful hints. I […]
This morning, my social media was buzzing with posts from friends at Pigeon Creek Shakespeare reporting their nominations for the Wilde Awards (Michigan’s professional theater awards, run by Encore Michigan). Kate Bode was nominated for “Best Performance–Bard” for her performance as Margaret in Henry VI (a role she continued in Richard III), Scott Lange for […]
For someone who practically never works with a dramaturg, I sure love dramaturgy. I love learning about the text, learning all of the history and backstory and background and cultural themes that contribute to the rich tapestry of the play. I haven’t thought of myself as a dramaturg, despite pretty much every dramaturg I know […]
I came across this thing I wrote for Mother’s Day last year. I had largely forgotten about it, but on rereading it, I realized that my production of Richard III is completely based on these ideas. Most notably this quotation from “The Mother’s Day Proclamation,” by Julia Ward Howe: “Let [mothers] meet first, as women, […]
Most images by Seraphina Zorn, taken at the Dog Story Theater in Grand Rapids, March 5, 2019.
I have been noodling over a mystery for the past couple of weeks, and I’m curious to hear other theater makers weigh in on it. The audience response to Richard III at Pigeon Creek Shakespeare has been incredible. People are hissing and booing at Richard when he’s messing with Queen Elizabeth. High school kids at […]
I’ve been thinking a lot about what it means to do a play about wickedness with such fundamentally kind people. Richard, after all, isn’t the only mean-spirited or ambitious person in this play. A number of people are out for revenge. At least three are willing to take a life in exchange for a few […]
The process for Richard III at Pigeon Creek was unusual because I spent the first three weeks (of a four-week process) directing via Skype. Now that the show is up and I’m done with my bit of it, I wanted to take some time to reflect on how it went, overall, and what I might […]