It’s been a good week in the critical acclaim department. Not only did our remount of Pigeon Creek’s Much Ado earn slot #16 in Shakespeareances “Top 25” list, but Eric also posted a wonderful review of the show. You can read the full thing on his website, but here are some of my favorite observations (emphasis mine). Director Alisha Huber embraces many textual advantages the space offers her. In his gulling scene, Benedick (Brad Sytsma) hides among the groundlings (though there’s only a few people down there—the galleries are the preferred seating for this NPR audience). Borachio (Josh Fremer) comes through one of the entrance’s curtains but […]
Katherine recently sent me a review by Bridgette Redman of Encore Michigan, which for some reason didn’t end up getting published. Bridgette said we could share some of it on our own websites and promo materials, so here are some of my favorite bits. Running now at Pigeon Creek Shakespeare Company’s multiple locations, their “Antony and Cleopatra” is a love story and Katherine Mayberry and Scott Lange as the titular couple sizzle with tempestuous passion. Let the whole world make their demands, let armies and navies clash, these two are meant to be together and nothing […]
Every now and then, I have an idea that feels in my head like it will be the best thing ever and then I’m so nervous that it won’t be the best thing ever that I get kind of freaked out when it’s time to try it. I talked about the silks a bit early in our […]
Last night, Pigeon Creek announced its 2019 season, so I can finally say, officially, I’m going to direct Richard III! Check out the video for the rest of their season. Real talk: I actually considered taking the audio of the response after Katherine said my name (around 1:50) and making it into a ringtone. A girl […]
After Heidi saw Antony and Cleopatra (can I just pause for a moment and say how completely honored I am that Heidi, David, and Pam all made the drive to Grand Rapids to see it?), she said, “Shakespeare wasn’t kind to Cleopatra, was he?” I immediately responded, “History wasn’t kind to her. Shakespeare worked with what he […]
Antony and Cleopatra had its last performance at Pigeon Creek this afternoon. I haven’t seen the show in over a month, so I guess it shouldn’t matter to me that it’s over, but it has been on my mind today. People often are surprised that when I direct a touring show, I go home after […]
Little-known fact: I’m something of an expert in auditory signalling in early modern plays. That is rarely particularly useful, so I don’t trot it out much, but my friends and Pigeon Creek Shakespeare let me nerd about it with music director Scott Lange on a promo video for Antony and Cleopatra!
One thing I’ve noticed in my work on Antony and Cleopatra is how careful the youngest actors are about getting consent from each other before they touch each other. This is new; I don’t know if it’s because of movements like #metoo or #notinourhouse, but it’s definitely different. I’ve always been careful about ensuring that actors get […]
One major turning point in Antony and Cleopatra is when Antony explains to Cleopatra exactly what will happen if she ends up trying to make a deal with Caesar. Prior to this point, Cleopatra seems to think that either Antony will win, or she’ll be able to talk her way out of whatever situation she finds […]
Why Theater? I have this theory that if your kids get into theater, they’ll be too busy to cause much trouble. One of the best ways to get them into theater is to take them to see it. People ask me sometimes how I managed to train my kids to be such good theater-goers. To […]
